Photograph (Form). One of the many things that is pleasing about this beautiful instrument is that it represents some of the very best work of both makers. (1847 - 1867) Arthur II and John Betts II inherited the family business at London's Royal Exchange from their father, Arthur I in 1847 and instruments with the label 'Arthur and John Betts' were made from this point until the shop closed in 1867. - 115 auction price results. John died in 1823 and the shop continued as the centre of expertise in London, under his sons John and Arthur, until 1867. 28-30 Marchmont Crescent, Edinburgh, EH9 1HG. Below, on the left is a photo of the top of the Betts, compared with a CT scan of the top, and aphoto of our new digitally carved copy of the front of the Betts. photograph | 20 photographs : color | Photograph (Form). Kemp Hall Passage, Suggested credit line: Library of Congress, Music Division. SKU 34098 Categories Violins, Violins $20,100-$35,000. London The varnishing was be done by Jeff Phillips and Antoine Nedelec in Oberlin. Using a carefully selected matching top, back, neck and scroll carved by Steve Rossow on his CNC machine directly from computer files generated from CT scans of "the Betts" violin, the Oberlin Betts copy was completed by the class as a group project to the point of being playable but without varnish. He opened an attractive premises and amongst his luthiers were . Article. Part of that status comes from the circumstances of its acquisition. Below, Chris Germain (shown on the left) is the director of the workshop and has a violin shop in Philadelphia, PA.. John Montgomery takes care of the instruments in the Library of Congress, and has a violin shop in Raleigh, North Carolina. In 1781 he was established there independently and in the following year he moved to the Royal Exchange, where he remained for the rest of his career. We hold two auctions a year at Sothebys in London, generally in March and October. He famously bought the 'Betts' Stradivari violin for the sum of one guinea from a naive customer around 1820. The Library of Congress is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. John Betts school / circle: fine antique English violin circa 1820, Renting or leasing a violin from Corilon violins. The Oberlin violin makers workshop has been in operation for fifteen years. John Betts cello, London circa 1810 John Betts cello, London circa 1810 First Name (*) Last Name (*) My Phone. The workmanship and varnish have much the same characteristics the latter being, as a rule, of a tint which is a shade warmer than the varnish of Duke. The original neck is in the old style. Using another set of wood, also carefully selected, John, Steve Sirr, and Steve Rossow have completed another Betts copy violin. Leaders of the group are chosen to be in charge of different parts of the project each year. He did not make many instruments himself, but employed excellent workmen, such as the Panormos, John Carter, Edward Betts, Bernhard Fendt, &c. The work is excellent, but poor instruments were occasionally sold by him, bearing his label. If you choose to continue using this website, you agree to our use of cookies. , circa 1790Cello, John Betts Tarisio 2023, The Muntz, Bower, Lam, an exceptional violin bow by Franois Xavier Tourte. Normally one violin, viola, or cello, is made by the class (up to varnishing), strung up "in the white", and played, as a group project during the two week session. The violin is recognized as one of Stradivari's best examples. Bow maker / Violin maker. Using the same digital computer files generated by Steve Sirr, and used to make the parts for the violin made in Oberlin, Steve Rossow has carved Stradivari's archings into the new top, and back, and Stradivar's original shapes of the neck neck and scroll on his CNC machine. In 1923, Jay C. Freeman of Wurlitzer approached Waddell in Scotland and came away with the "Betts" as well as the "Leduc" Guarneri. Items included here with the permission of the rights holders are indicated as such in the bibliographic record for each item. . The violin has a two piece back of . He was a pupil of Richard Duke, and, in the few instruments made by himself, showed that he had imbibed much of Duke's lore. Analytics cookies help us understand how visitors interact with our site, detect errors, and provide better overall analytics. Betts was a talented maker himself and also employed some of the most talented English makers of the period, including Vincenzo Panormo, Joseph Hill II, Henry Lockey Hill, John Furber and both B.S. Directions. Violin by Antonio Stradivari, Cremona, 1704, "Betts" [Full strung instrument, front and back], Stringed Instruments at the Library of Congress, Musical Instruments at the Library of Congress, Comparison of performances on five violins, Twin Guarneri Violins Reunited at Library, Wilkins Early Stringed Instrument Collection, Violin by Antonio Stradivari, Cremona, 1699, "Castelbarco", Violin by Antonio Stradivari, Cremona, 1700, "Ward", Violin by Nicolo Amati, Cremona, 1654, "Brookings", Violin by Jean Baptiste Vuillaume, Paris, ca. Brompton's is delighted to offer complimentary Violin appraisals for insurance, probate or sale purposes. Stamped Betts / Royal Exchange / London. Amati, in collaboration with leading experts, have published a few key books in the field of stringed instruments. He died in 1823, leaving the business to his younger brother Arthur, who learned the craft from him. These cookies collect data to remember the choices users make on the website. This outstanding reputation may be why John Betts was always able to engage excellent violin makers such as Richard Tobin, Henry Lockey Hill and members of the famous Panormo family as his employees. The following images are of violin known as the Betts, by Antonio Stradivari, made in 1704. The two of them are shown in the workshop discussing some aspect of the project. Please login to continue. Under Arthur especially the shop became known for its reproductions of historic instruments, similar to the activities of J.B. Vuillaume in Paris. Email: Composite, newer top (19th century) original back and sides. John Betts school / circle: fine antique English violin circa 1820. Flagship Location 7711 Eastern Avenue Takoma Park, MD 20912 New Gaithersburg Rental Location 830 Muddy Branch Road Gaithersburg, MD 20878 A tradition of excellence since 1996 Call us for more information (301) 652-7070 1 (800) 317-9452 Hours Tues - Fri. Flagship Location: 10:00am - 6:00pm . 1786, Violin - It can carve wood more accurately than a human can. Article. With its expressive personality, the instrument presented here was likely made by one of his students and reflects the influence of "Old . Next to that, to the right is a photo of our digitally carved copy of the back of Betts. Upon his death in 1823, he left the shop to his younger brother and pupil Arthur, as well as his nephew Charles Vernon. Company number: 9889926. Kurfrstendamm 28 Claudia Fritz, Joseph Curtin, and Fan Tao have participated in two other similar tests, in Indiana and Paris. John Betts violin label. He came to London to work for Richard Duke in Holborn in 1765. About the violin. In 1765 he moved to London to apprentice with Richard Duke and after seven years he became shop foreman, eventually buying the business from Duke's daughter. Here is a picture of John Waddle playing the Betts. We offer buyers and sellers a bespoke private sale service, sourcing exceptional instruments and bows and matching them with the most discerning buyers Tim Ingles and Paul Hayday will offer an initial evaluation of the authenticity and value of your instrument or bow to recommend an auction estimate and reserve price for your instrument or bow Tim Ingles and Paul Hayday will offer an initial evaluation of the authenticity and value of your instrument or bow. The luminous golden-brown varnish is so transparent that even the most nuanced details of the tightly flamed maple used for the back can be seen, and the blackened edges of the small and charmingly shaped scroll round out this violin; it has been kept in very good condition and has undergone only minor repairs that are fitting for an instrument of its advanced age. The Betts violin was the focus of the 2011 Oberlin Workshop, and John Waddle, Steve Sirr, and I were excited to have renowned makers such as Gregg Alf, Chris Germain, Bill Scott, Raymond Shryer, and Sam Zygmuntowicz join us in working on a group project creating a copy of the Betts, using a top, back, neck, and scroll that I had carved using CT . You can contact the auctioneer on +44 (0)1543 251081 for more information. Whoever he was, he didn't know what he had, and accepted Arthur Bett's offer of one Guinea. Betts instruments tend to exhibit very high standards of craftsmanship . By this time, the family were well established as the leading London dealers of . Hill and Sons). Fine Fretted String Instruments 2345 Winchester Blvd. Articles, - John Betts (1752-1823) In 1765, around the age of 13, John Betts made the 160 kilometer journey to London from his hometown of Stamford. United Kingdom, Email: info.london@tarisio.com If you are a person who is fortunate enough that you can afford to buy a genuine Stradivari, Guarneri, or Amati, by all means, you should do it! After many years working for Duke, Betts became the foreman of his workshop and eventually took over the business. please inquire . Over the course of its history the shop produced a large range of instruments, from inexpensive models with painted purfling to some of the most exquisite Stradivari and Guarneri copies in the history of British violin making. Article. Betts instruments tend to exhibit very high standards of . The workmanship is solid and sober, without being refined and artistic like the work of Betts' master. John Betts Nationalit Ca Wikipdia en Franais. Part of that status comes from the circumstances of its acquisition. Article. The whole event was documented by NHK TV of Japan. Betts made fewer instruments in his later years, his reputation as an expert and connoisseur fully established. The violin is an absolutely stunning Nicol Amati copy. The tone is moderately powerful, and very sweet and mellow. By 1781 he was working independently and hired his first apprentice around that time. Betts Workshop Violin, London circa 1820. Highest auction price achieved. Article. John Montgomery, Sam Zygmuntowicz, Raymond Shryer also did some needed tonal adjustments on it. Betts Workshop Violin, London circa 1820. Traces of the compass points left when he marked the position of the lobes and nicks are still visible and can be seen using a mirror inside the top. Next to it is a CT scan of the back. What a good looking bunch! This website uses cookies to ensure that we give you the best user experience. They liaised with my insurers and started work within days . London Its everything we look for in a violin: the perfect combination of warmth, projection and flexibility of tone. Next to that is a photo of the new copy. Betts instruments tend to exhibit very high standards of . 1790 Close. Privacy Policy Violin - [Web.] He moved to London at the age of 12 to apprentice with Richard Duke. The Betts Stradivarius violin was the focus of the workshop. His own workmanship was replaced by the efforts of his many employees after about 1790 and these represented the cream of the London profession, including John Carter, Joseph and Henry Lockey Hill, Richard Tobin and the Fendts. This violin from about 1790 is stamped on the back Betts / Royal Exchange / London. including this fine violin, Betts' greatest importance was as an expert and entrepreneur, responsible for making London a major centre of violin making activity in the 19th century. In 1781 he established his own workshop. Oxford, OX1 4DH He was born in 1752 in Stamford and died in 1823 in London. The Strad magazine has generously allowed us to reproduce two articles in this presentation: Exhibition Report: Born in the USA (July 2006) and National Treasure (November 2006).

Iida Archtop Banjo, Mci Careers Work From Home, Articles J